We are in a sea of \u200b\u200bsigns that is the literary text.
The creative process is totally free from a
context and thus becomes completely and consciously
controllable by the artist. Today, net-art
programmer talks about how the only real artist left. All
the value of the artwork is in the software that
behind and the reader's task is to go back to the matrix;
but to do so is to read the instruction booklet for the use
that the author has packed together work.
In reality this process of 'digitalisation' art
is already inscribed in the genetic code
artistic production of the twentieth century. The dozens
poster art, postavanguardie, neoavanguardia,
statements of poetics, literature under constraint OULIPO
that characterize the twentieth century and ranging up to
day with posters of net-art or literary hypertext
have precisely the function to anticipate the
explanation of software work of art before
of its fruition. The danger is visible in this trend is
"in wanting to correct a formalism
with a matter, an ancient aesthetics with a technicality
up to date" to separate "the concept and the mechanism of the essence and technique
of art "(Debray 1992, p.104), in considering
content dell'arte solo i meccanismi di
fabbricazione o percezione.
(da Emiliano Ilardi, Il senso della posizione , Roma, Meltemi,
pp.114-115)
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